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~ Frank "Sugarchile" Robinson - Caldonia
Views: 163902 |  |  |  |  | Sextet and Billie Holiday in Hollywood in August to showcase his hits. The Christmas season of 1950 witnessed Sugar Chile's first European release and Christmas Boogie c/w Rudolph The Red-Nosed Reindeer sold well enough to spark a European tour in 1951, i ...More ncluding rave reviews for his spot at the London Palladium. He was a big hit on US radio and TV all through 1951 and then, while still in his pre-teens, Robinson's career was suddenly over; his last single release was issued in August 1952 ... |
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~ Uptown Rhythm KINGS Chicken Shack*Jump Boogie Woogie Blues
Views: 66558 |  |  |  |  | Gimmie somma' that...Amos Milburn, with a side of: Roy Brown, Maxwell Davis, Paul Gayten, Wynonnie Harris, Jimmy Liggins ...and jump to it man! Put this on stage, even PSB, in 1988 was being out there a little too far ahead of the "Martini and Cigars" fad ...More of the late 90s, for our own good. Oh well, the people in the house dug it, and that's what counted. This one is for the fans of: Albert Ammons, Pete Johnson, Meade Lux Lewis, Smiley Lewis, Roy Brown, Tiny Bradshaw, Camille Howard, Amos ... |
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~ Bennie Moten's Kansas City Orch. - Rumba Negro, 1929
Views: 15387 |  |  |  |  | revolution came in the early 1930s when he recruited Count Basie, Walter Page and Oran 'Hot Lips' Page. Walter Page's walking bass lines gave the music an entirely new feel compared to the 2/4 tuba of his predecessor Vernon Page, coloured by Basie's under ...More stated, syncopated piano fills. In this time Ben Webster (tenor sax) and Jimmy Rushing (vocal) had also joined. Tragically Bennie Moten died in 1935 from a botched tonsillectomy operation. Buster Moten briefly took over the band, but many ... |
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~ Bennie Moten's Kansas City Orchestra - The Jones Law Blues (1929)
Views: 302 |  |  |  |  | popular in the area. They next recorded in 1926 for Victor Records in New Jersey, and were influenced by the more sophisticate style of Fletcher Henderson. By 1928 Moten's piano was showing some Boogie Woogie influences, but the real revolution came in 19 ...More 29 when he recruited Count Basie, Walter Page and Oran 'Hot Lips' Page. Walter Page's walking bass lines gave the music an entirely new feel compared to the 2/4 tuba of his predecessor Vernon Page, coloured by Basie's understated, ... |
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